International Research journal of Management Science and Technology

  ISSN 2250 - 1959 (online) ISSN 2348 - 9367 (Print) New DOI : 10.32804/IRJMST

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LITERARY TELLING VERSUS CINEMATIC SHOWING OF THE GODFATHER: A NARRATIVE STUDY US

    1 Author(s):  MS. PRAGYA MISHRA

Vol -  6, Issue- 5 ,         Page(s) : 85 - 97  (2015 ) DOI : https://doi.org/10.32804/IRJMST

Abstract

Movies adapted from novels play a very integral part in providing visual and audio forms to the reader’s imaginations and bring them to play the role of observant audiences so that they can relish the cinematographic narration and try to analyze the meanings coming out of it too. The study of selected Classic The Godfather (1969) and its adaptation The Godfather (1972) shall explore the excellence in the use of narrative techniques and cinematography resulting to a great impact on the readers as well as audiences in such a way that it became the timeless visual forever.

  1. Puzzo, Mario. The Godfather. London : G.P.Putnam’s Sons, 1969. Print.
  2. The Godfather. Dir. Francis F.Coppola. Perf. Marlon Brando, Al Pacino. Paramount Pictures, 1972. Film.
  3. Althusser, Louis. "Ideology and Ideological State Apparatuses." In Lenin and Philosophy and Other Essays , translated by Ben Brewster, New York: Monthly Review Press, 1971. Print.
  4. Altman, Rick. "A Semantic/Syntactic Approach to Film Genre." Cinema Journal 23.3 (1984): 618. JSTOR. Web. 9 Mar. 2012.
  5. Andrew, Dudley. "Adaptation." Film Adaptation, Ed. James Naremore. New Brunswick: Rutgers University Press, 2000. Print.

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